{"title":"a_Oberon Design","description":"","products":[{"product_id":"ginkgo-grove-barrette","title":"Ginkgo Grove Barrette","description":"\u003cp\u003eBefore there were flowering plants, before there were grasses or fruit trees or anything resembling a modern forest, there were ginkgos. Two hundred and seventy million years old, give or take — older than the dinosaurs, older than most mountain ranges. The species alive today is essentially unchanged from its fossil record. When you hold a ginkgo leaf, you are holding a shape that predates nearly everything you know.\u003c\/p\u003e\u003cp\u003eThat kind of deep time has made the ginkgo sacred across cultures. In Japan, ancient ginkgo trees mark the grounds of temples and shrines, their fan-shaped leaves symbolizing longevity and resilience. In China, they are called \"silver apricots\" and have been cultivated for over a thousand years. After the bombing of Hiroshima, ginkgo trees were among the first living things to regenerate — scarred, still standing, pushing out new leaves within months. The tree endures. It is not dramatic about it.\u003c\/p\u003e\u003cp\u003eThis barrette renders a grove of those ancient leaves in solid Britannia metal, each fan-shaped form overlapping the next with a depth and texture that catches light differently depending on the angle. Oberon Design, a California studio known for their deeply sculptural metalwork, cast it using hand-carved molds that give every leaf a tactile, almost fossil-like presence against the silver-toned surface.\u003c\/p\u003e\u003cp\u003eAt three inches long and just over an inch wide, it has real substance — 22 grams of solid metal that holds hair with authority and looks quietly striking from any distance. The clasp is sturdy and reliable. Britannia metal is a high-tin alloy, lead-free and hypoallergenic, so it sits comfortably against the skin all day.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design in California.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311382063,"sku":"046-H-10001","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/ginkgo-leaf-hair-clip-barrette-70mm.webp?v=1771025341"},{"product_id":"wild-bloom-barrette","title":"Wild Bloom Barrette","description":"\u003cp\u003eThere's a particular kind of garden that only exists in the margins of old botanical engravings — the kind where every flower is in bloom at once, where the vine doesn't care about the season, where abundance is the whole point. It's not realistic. It's better than realistic. It's the garden as the human mind wishes it were: overflowing, tangled, alive in every direction at once.\u003c\/p\u003e\u003cp\u003eThat visual tradition runs deep. From the illuminated manuscripts of the medieval period through William Morris's Arts and Crafts wallpapers, the idea of the \"wild bloom\" — nature rendered in ornamental profusion — has been one of the most enduring motifs in Western decorative art. Morris believed that pattern should feel organic, that the eye should follow a design the way it follows a climbing rose: without thinking, without stopping. He wanted beauty to live in the everyday object, not just on the gallery wall.\u003c\/p\u003e\u003cp\u003eOberon Design has been working in that lineage for decades from their studio in Santa Cruz, California, casting intricate nature-inspired designs in solid metal with a craftsman's patience and an artist's eye. The Wild Bloom Barrette is made from Britannia metal — a lustrous, hypoallergenic alloy with a cool silver finish and a satisfying heft. At 3¼ inches long and ¾ inch wide, it holds its own in thick or fine hair alike, with 24 grams of weight that feels purposeful rather than heavy. The relief is deeply sculpted, catching light across every petal and tendril, the kind of detail you run your thumb across without thinking.\u003c\/p\u003e\u003cp\u003eThis is a piece that turns a simple gesture — pulling your hair back — into something quietly beautiful.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311709743,"sku":"046-H-10003","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/wildflower-hair-barrette-70mm.webp?v=1771024782"},{"product_id":"the-three-graces-barrette","title":"The Three Graces Barrette","description":"\u003cp\u003eThey appear in Botticelli's Primavera, arms intertwined in a circle that has no beginning and no end. They appear in Canova's marble, three figures so impossibly tender they make stone look like breath. They appear in Raphael, in Rubens, in Roman frescoes buried under volcanic ash and rediscovered centuries later still dancing. The Three Graces — Aglaea, Euphrosyne, Thalia — have been Western art's enduring meditation on beauty, joy, and human connection for nearly three thousand years.\u003c\/p\u003e\u003cp\u003eWhat makes the subject so magnetic to artists across every era is its compositional challenge: three bodies in a single harmonious form, each distinct, none dominant, all turning toward and away from the viewer simultaneously. The Renaissance masters returned to it obsessively because it allowed them to explore the full range of the human figure in one composition. Neoclassical sculptors like Canova stripped the subject to its purest geometry — the circle, the arc, the counterbalance of weight. Every version says something different about grace, but the choreography endures. Three figures, one embrace, an eternal round.\u003c\/p\u003e\u003cp\u003eOberon Design has translated that ancient choreography into hand-cast relief.\u003c\/p\u003e\u003cp\u003eThe barrette is crafted from Britannia metal — a refined, lead-free pewter alloy prized for its ability to hold fine sculptural detail — finished in a warm antiqued silver that catches light the way old heirloom silver does, settling into every curve and fold of the figures. At three and a half inches long and just over an inch wide, it has real presence in the hair without any clumsiness, and at 28 grams it carries a satisfying, substantial weight that keeps it securely in place. The metal is hypoallergenic, and the French-style clip mechanism is built for daily, long-term wear.\u003c\/p\u003e\u003cp\u003eHandcrafted in California by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311742511,"sku":"046-H-10002","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/lady-parade-barrette-silver-hair-clip.png?v=1772076146"},{"product_id":"athena-unbound-hair-tie","title":"Athena Unbound Hair Tie","description":"\u003cp\u003eThere's a version of Athena most people never see. Not the armored goddess on the shield, not the marble bust behind museum glass — but the one before all that. The one who was wisdom before wisdom had a temple. Wild-haired, uncontained, belonging to no frieze and no pediment. Just power, unframed.\u003c\/p\u003e\u003cp\u003eThe ancient Greeks understood that their gods existed in layers — the official, the devotional, the personal. Athena carried more epithets than almost any other deity because no single image could hold her. She was Athena Promachos, champion of the front line. Athena Ergane, patron of craft. Athena Parthenos, the untouchable. But before any of those titles were carved in stone, she was simply the force that made people pause, think, and then act with purpose. The sculptors who first depicted her weren't illustrating a myth — they were trying to catch something they'd felt.\u003c\/p\u003e\u003cp\u003eOberon Design, working from their studio in Santa Rosa, California, has spent decades translating that kind of mythic weight into objects you can actually live with. This hair tie is cast in Britannia metal — a pewter-family alloy with a soft, antiqued silver finish that feels like something pulled from an archaeological dig in the best possible way. At two inches wide and an inch and a quarter tall, the medallion has genuine sculptural presence without tipping into costume. The whole piece weighs just 12 grams, and the metal is hypoallergenic, so it sits comfortably against the skin all day. An elastic band threads through the back, securing the piece while keeping your hair exactly where you want it.\u003c\/p\u003e\u003cp\u003eThat's the quiet paradox here — an image of the goddess unbound, holding everything together.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311775279,"sku":"046-H-10009","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/night-owl-hair-tie-silver.webp?v=1771025391"},{"product_id":"silver-emergence-hair-tie","title":"Silver Emergence Hair Tie","description":"\u003cp\u003eThere's a moment in every emergence — a chrysalis splitting, a shoot breaking soil, a thought finally finding its shape — where the thing becoming itself is more beautiful than the thing it will be. It's all potential and motion, caught mid-breath. Artists have been chasing that instant for centuries, from Art Nouveau's obsession with unfurling tendrils to the Symbolists who saw metamorphosis as the truest expression of the soul.\u003c\/p\u003e\u003cp\u003eOberon Design has been working out of their California studio for decades, crafting objects that carry this kind of weight — pieces rooted in the organic geometry of the natural world, where every curve follows the logic of growth rather than mere decoration. Their sculptural work draws deeply from the Arts and Crafts tradition, where beauty was inseparable from the hand that made it, and ornamentation was never arbitrary. Each motif earns its place.\u003c\/p\u003e\u003cp\u003eThis is that philosophy, distilled into something you can wear in your hair.\u003c\/p\u003e\u003cp\u003eCast in Britannia metal — a refined, nickel-free alloy prized for its ability to hold fine sculptural detail — the Silver Emergence Barrette has a cool silver finish with genuine depth in its relief. At 1½ inches wide by 1¼ inches high and just 6 grams, it sits close and secure without pulling or dragging, the kind of piece you set in the morning and forget about until someone asks where you found it. Hypoallergenic and comfortable against the scalp all day long.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311808047,"sku":"046-H-10008","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/butterfly-ponytail-holder-silver-hair-accessory.webp?v=1771025400"},{"product_id":"midsummer-hair-tie","title":"Midsummer Hair Tie","description":"\u003cp\u003eSomewhere around the solstice, the garden loses its composure. The climbing roses forget where they were going. The honeysuckle tangles into the lavender. Everything blooms at once, without permission, and the air turns thick with pollen and warmth and the particular green smell of things growing faster than they should. There is no neatness to midsummer. Only abundance.\u003c\/p\u003e\u003cp\u003eThat spirit has deep roots in the decorative arts — the Art Nouveau metalworkers adored it, as did the Pre-Raphaelites, who painted women tangled in flowers and vines as though nature itself were a form of adornment. William Morris built an entire design philosophy around the idea that organic forms, allowed to wind and repeat and intertwine, created a beauty that rigid geometry never could. His wallpapers and tapestries didn't depict nature so much as surrender to it. The best ornamental metalwork of that era did the same — treating a functional object as an occasion for wild, living detail.\u003c\/p\u003e\u003cp\u003eOberon Design works in that lineage. Based in Santa Cruz, California, they cast each piece in solid Britannia metal — a refined, pewter-family alloy with a soft silver luster and real heft in the hand. Their midsummer motif winds botanical forms across a round medallion just 1¼ inches in diameter, detailed enough to reward a close look but unified enough to read as a single, elegant shape. At 12 grams, it has genuine substance on an elastic hair tie — the kind of weight that feels intentional, like a piece of jewelry rather than an accessory. The metal is hypoallergenic, nickel-free, and built to develop a gentle patina over years of wear.\u003c\/p\u003e\u003cp\u003eThis is the rare hair tie that belongs in a jewelry box.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311939119,"sku":"046-H-10007","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/silver-wildflower-ponytail-holder.webp?v=1771025417"},{"product_id":"dragonfly-vigil-hair-stick","title":"Dragonfly Vigil Hair Stick","description":"\u003cp\u003eLong before entomologists gave it a Latin name, the dragonfly was a sentinel. In Japanese tradition it was called kachimushi — the victory insect — and samurai wore it on helmets and sword guards because it only flies forward, never retreats. In Art Nouveau Paris, René Lalique and Émile Gallé turned it into something else entirely: a symbol of transformation, its wings rendered in plique-à-jour enamel and opalescent glass, hovering at the threshold between the natural world and the ornamental one. Across centuries and cultures, the dragonfly has always meant the same thing. Stillness that is not passive. Watchfulness that is not fear.\u003c\/p\u003e\u003cp\u003eOberon Design, working out of their studio in Santa Rosa, California, has built a reputation for the kind of deeply sculpted metalwork that most people associate with medieval reliquaries or Victorian mourning brooches — objects made slowly, by hand, with a respect for dimensionality that flat stamping could never achieve. Their dragonfly is fully realized in the round, every wing vein articulated, the body weighted with a quiet authority that makes it feel less like an accessory and more like a talisman. The level of relief here is extraordinary. You can feel the ridges of each wing segment under your fingertip.\u003c\/p\u003e\u003cp\u003eA vigil cast in metal and meant to be worn.\u003c\/p\u003e\u003cp\u003eThe hair stick is crafted from Britannia metal — a refined, lead-free pewter alloy with a soft silver finish that develops character over time. The decorative head measures 2½ inches wide by 2 inches tall, mounted on a smooth 4-inch stick designed to grip and hold without snagging. At 34 grams for the full piece, it carries real, grounding weight — substantial enough to feel intentional, balanced enough to wear comfortably through a long day. The metal is hypoallergenic, so it sits kindly against sensitive skin.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792311971887,"sku":"046-H-10005","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/dragonfly-hair-stick-silver.webp?v=1771025448"},{"product_id":"woven-before-memory-hair-stick","title":"Woven Before Memory Hair Stick","description":"\u003cp\u003eThere are patterns older than any language we still speak. Knotwork carved into standing stones, woven into Bronze Age gold, pressed into clay before anyone thought to write a word down. These designs weren't decorative — they were structural, cosmological, a way of saying: everything connects, nothing ends. The line turns back on itself and keeps going. Whoever first drew it understood something about time that we're still catching up to.\u003c\/p\u003e\u003cp\u003eCeltic interlace emerged across millennia and continents — from Pictish slabs in Scotland to illuminated manuscripts in Irish monasteries to Viking brooches pulled from Nordic soil. It was never one culture's invention. It was a visual language that kept being rediscovered, as if the pattern itself wanted to exist. The motif on this hair stick draws from that deep well — tight, rhythmic knotwork that feels ancient without being archaeological, ornamental without being fussy. It belongs to a lineage that predates borders.\u003c\/p\u003e\u003cp\u003eOberon Design, working out of their studio in Santa Rosa, California, has spent decades translating this kind of historical design language into handcrafted metalwork and leather. Their casting process in Britannia metal — a pewter-family alloy prized for its clean silver tone and sculptural detail — captures every interlocking strand of the knot with a precision that rewards close looking.\u003c\/p\u003e\u003cp\u003eThe decorative head measures one and a half inches wide by one inch high, with a smooth two-and-a-half-inch stick that slides securely into a twist or bun. At 16 grams, it has genuine heft — the kind of weight that tells you you're holding something real without pulling at your hair. The Britannia metal is hypoallergenic and wears to a beautiful soft patina over time, the silver tone deepening with use the way old silverwork does.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design in Santa Rosa, California.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792312004655,"sku":"046-H-10006","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/celtic-knot-hair-stick-silver.webp?v=1771025439"},{"product_id":"woven-hour-hair-stick","title":"Woven Hour Hair Stick","description":"\u003cp\u003eThere's a particular silence inside old textile mills — the kind you feel more than hear. The looms are still, but the walls remember rhythm. Warp and weft, warp and weft, the patient architecture of thread becoming cloth. It was never just labor. It was mathematics made soft, geometry you could hold against your skin.\u003c\/p\u003e\u003cp\u003eWeaving is one of humanity's oldest technologies, older than pottery, older than metalwork. Every culture that ever dressed itself first had to solve the same elegant problem: how to turn a single line into a plane. The answer — interlocking threads at right angles on a frame — appeared independently across civilizations, from Andean backstrap looms to medieval European tapestry workshops. The patterns that emerged weren't decoration. They were language, encoding identity and meaning into the structure of daily life. A woven pattern is a record of time spent, each row a small, deliberate hour.\u003c\/p\u003e\u003cp\u003eOberon Design has cast that ancient rhythm in metal.\u003c\/p\u003e\u003cp\u003eHand-poured in their California studio using Britannia metal — a refined, nickel-free pewter alloy with a warm silver tone — the hair stick features a woven textile motif across a head piece measuring 2¾ inches wide by 1¾ inches high, with a 4-inch stick that slides securely through a twist or chignon. At 26 grams, it has the weight of something real, something intentional, the kind of heft that feels good in your hand before it disappears into your hair. Hypoallergenic and built to last decades.\u003c\/p\u003e\u003cp\u003eHandcrafted by Oberon Design.\u003c\/p\u003e","brand":"Oberon Design","offers":[{"title":"Default Title","offer_id":44792312037423,"sku":"046-H-10004","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/1065\/8863\/files\/celtic-weave-hair-stick-britannia-metal.webp?v=1771025428"}],"url":"https:\/\/haroldandhazel.live\/collections\/_oberon-design.oembed","provider":"Harold \u0026 Hazel","version":"1.0","type":"link"}